From Browser to Gallery (and Back): The Commodification of Net Art 1990-2011

by Jennifer Chan

jchan

Since its beginnings in the late 90s, internet art has had a fickle relationship with the museum. While commissions and granting initiatives have been established for media arts in Europe and America, the relationship between internet art and its fluctuating appearance in institutions demonstrates that it has not yet been wholly embraced by mainstream contemporary art. [...]

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